Meet the Maker

A Serendipitous Encounter with Hiroshi Senju: Insights from this iconic Japanese Artist

Over the weekend, I visited the galleries at Gillman Baracks and was delighted to discover that the Sundaram Tagore Gallery was exhibiting Hiroshi Senju, a phenomenal Japanese artist whose work first captivated me back in 2019 at Sydney Contemporary. As I perused his stunning creations, I was overjoyed to hear that he was coming to do an artist talk.

 

Hiroshi Senju, born in Tokyo in 1958, is renowned for his breathtaking waterfall paintings and has achieved international acclaim for his mastery of the medium. Throughout his career, Senju has been deeply inspired by nature, particularly waterfalls, which he captures with remarkable depth and serenity.

 

His unique approach involves using all natural pigments and traditional Japanese techniques to create ethereal and immersive artworks. With numerous exhibitions worldwide and so many accolades including the prestigious Kyoto Prize, Senju continues to captivate audiences with his evocative interpretations of the natural world. So you can totally understand how rare it is to see him speak.

 

 

 

Senju was captivating. He spoke passionately about his use of natural materials, the delicate balance between art and science and the impact COVID-19 had on his artistic journey.

 

Despite the challenges posed by the pandemic and the crazy lockdowns he endured in New York, Senju found solace and inspiration in the enduring beauty of nature. How no matter what happens in the world, the flower will continue to bloom. She shared how being inside for the pandemic inspired him to embrace the beauty of nature’s colours even more and why in his last works he has used so much colour.

 

As his wife beautifully translated his words, he fondly remarked that she wonderfully handles everything in his life, allowing him to focus solely on his art—a testament to the power of partnership and support in the creative process. You know how much I love a love story <3

 

 

There was a beautiful moment when Senju’s spoke of his artistic vision. He shared that when he gazes upon a blank canvas, the artwork is already fully formed in his mind. His role, he explained, is simply to transpose that vision onto the canvas, allowing viewers to experience the same sense of awe and wonder that inspired him.

 

 

 

 

As Senju talked about his latest works, it became evident that he is not only a master of traditional techniques but also an innovator willing to embrace new technologies. He described how he incorporated black light and fluorescent pigments into his recent pieces, pushing the boundaries of his craft and exploring new realms of expression.

 

 

The entire experience left me feeling joyfully inspired. Senju’s art has always held a special place in my heart, but hearing him speak so passionately about his work and witnessing the depth of his creativity firsthand was truly magical. As I reflect on the moment, I can’t help but feel a renewed sense of appreciation for the beauty and wonder of the world around us—and a quiet determination to chase my own creative dreams with the same passion for the vision and the true art.

 

I always find myself transported to a place of calm and wonderment when I gazed at his pieces. Each brushstroke, each delicate detail invites you to immerse myself in the world of waterfalls, nature, wonder and the gravity of the paint falling down the canvas – to look beyond the surface and discover the hidden depths within and beyond. Ok, I think I am going a bit deep now but I hope you totally feel where I am coming from 🙂

 

So, I dare to dream of day having a Senju masterpiece gracing the walls of my home (in my mind it is already placed beautiful in my entrance), a tangible reminder of the power of art to touch our souls and illuminate our lives.

 

As I invite you to join me on this journey of discovery, I pose a question: What speaks to you more deeply—the timeless elegance of Senju’s black-and-white works, or the vibrant hues of his latest creations? The answer, and what I love most about art, is that it is totally personal and and everything evokes a different emotion for everybody.

 

I wish I had my SLR with me as my pics really don’t do his works any justice, however, I do hope I have encouraged you to Google him and go and try and see some of his works in person.

 

Big love,

Aisha xox

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ipse ipsa ipsum | Weaving Artistry, Tradition and Innovation into Sustainable Design

 

“Transform ordinary living spaces into extraordinary places.”

 

When I first arrived in Singapore, my quest for innovative design techniques led me to explore suppliers and manufacturers, searching for like-minded collaborators who shared my values and vision.

 

One of the standouts was ipse ipsa ipsum. Through visits and conversations with the founder, Saurabh Mangla, know as Sam, I have not only commissioned stunning custom pieces for clients (stay tuned for the reveal) and ventured into designing my own multifunctional piece of furniture from recycled materials.

 

Sam’s rich background in design, coupled with the company’s values, commitment to innovation in manufacturing using upcycled and recycled materials, and support for traditional crafting techniques, has left a lasting impression. I just had to share. 

 

“We truly aim to craft better lives – for our community of artisans, clients and all stakeholders. We do this by using upcycled and recycled materials; by providing affordable and accessible pricing for customised and distinctive products.”

 

I am excited about creating more timeless pieces that not only minimise environmental impact but also support local artisans, spreading joy in every creation along the way. 

Join me in celebrating the fusion of artistry, tradition, and sustainable innovation with ipse ipsa ipsum.

 

A little about ipse ipsa ipsum:

 

Reflecting a tapestry of individuals, artisans, and designers, ipse ipsa ipsum creates unique pieces that transform ordinary living spaces. Translating to “himself, herself, itself,” the brand celebrates the people and talent behind its success, preserving tradition to inspire a lifestyle less ordinary.

We celebrate the people behind the brand, preserve the craft, leveraging on unique materials to create social impact and sustainable futures. We engage in responsible manufacturing and commit to protecting the welfare of the diverse artisans we work with. 

We persevere to preserve the rich, traditional customs and crafts passed down within the artisan families we work with and bring back dignity to their craft. 

We focus on quality and longevity of our products and not on quantity liberating our design collaborators from designing for mass production. We keep our supply chains transparent. 

We work with natural biodegradable materials and ensure to use our waste in design. We bring the materiality of our pieces onto our website with our AR tool, providing Omni channel experience.”

 

Focusing on alternative materials:

 

“We initiated the exploration of alternative materials a decade ago and it started by using reclaimed timber into our ecosystem. Over time, we expanded our material portfolio. During COVID, when the prices of the raw materials hit highs, we appointed a waste manager and started to look at the scrap we had at our scrapyard. We tried to recover as many materials as we can from it. 

Striving for sustainability, we focused on recovering and repurposing materials. Slowly we progressed to do what is right for the earth as well as to what gives us a competitive advantage in our business.”

ipse ipsa ipsum selection of sustainable materials includes:

  • Bamboo
  • Rice husks
  • Cow dung paper
  • Reclaimed wood
  • Aluminium 
  • Leather offcuts
  • Natural stones
  • Computer waste
  • Coca Cola cans
  • Organic cotton/materials
  • Polyethylene terephthalate (PET)

 

The Henderson self watering plant side table is part of a series of sustainable designs that uses off-cuts to create a unique pattern. Not only does it reduce our total output, it is also fitted with our self-watering Aqua Orb, the fuss-free solution to introduce greenery into your home.

I am enjoying the process of bringing together some of these glorious materials and textures to create a piece that is truly unique with a beautiful story.

 

 

 

 

A community of craftsman:

 

“At ipse ipsa ipsum we engage in responsible manufacturing and commit to protecting the welfare of the artisans we work with. Whether it is providing them with necessary tools to continue their craft, facility to do their making or training to upskill – we persevere to work with the artisans and bring back dignity to their craft.

Through our relationships with our community of craftsman in India, we are proud to help preserve time-honored traditions and skills that have been passed down through generations in every piece of craft we make. By working closely with

our artisans, we are providing meaningful income opportunities for individuals, their families and the communities.

Our processes allow for Social inclusion and create social equity for the artisans involved in making / hand craft. Our team in Singapore fosters an offline connection for customers and artisans and takes customers on a post-sale customer engagement journey where the customer is repeatedly engaged with the maker and the making process.”

 

 

Upcycling retired A-380 parts (circular economy):

 

“The Upcycled collection project with the Singapore Airlines (SIA) used the retired parts of A-380 for aviation enthusiasts. Use of waste (e.g. Airline Parts ) means less landfill, second life to materials and less usage of new materials. 

This collection is all about repurposing the various parts of the aircraft and converting them into unique and exclusive pieces of furniture. From Business Class seats to overhead compartments of the retired A-380 planes, these once-magnificent cabin components are upcycled to more meaningful, reimagined into beautiful items that are built to last.

The Towkay Chair from the collection is an award-winning Singapore Airlines Business Class seat ,which was introduced into the airline’s fleet back in 2006. Fresh life is breathed into the spacious yet luxurious recliner chair upholstered with new leather. The sides have also been incorporated with our brand’s very own unique peranakan-inspired handcrafted bone in-lay, to make the piece a conversation starter.

We helped the global aviation enthusiasts to customise their own pieces and express their creativity through this process. We provided the platform for the community of artisans to be involved with the team at Singapore airlines and the global aviation enthusiasts. It gave the artisans the sense of fulfilment to be attached with a prestigious brand, which they would have not got a chance to work with. It also gave Singapore Airlines an opportunity to show their commitment towards sustainability and work with the local creative community.

Collaborating with a strong brand like Singapore Airlines has helped a small store like ours to gain global visibility. The collection was very well received and we have shipped our pieces to aviation enthusiasts in Hong Kong, Japan and beyond, leading to successful international shipments.”

 

Here is a Youtube video with Sam talking to the craftsman and the Singapore Airlines collaboration.

 

Are there trade-offs when designing with sustainable materials? 

 

“Certainly, there are trade-offs involved. We need to learn about the materials and acquire knowledge about their techniques. Also we must train the actual end-user on proper usage and maintenance of the pieces designed using these materials. This learning curve is an integral part of working with these materials.

We find people are now more open to use sustainable or renewable materials to reduce environmental impacts. They opt for biophilic or circular product designs to enhance their connection with the environment.”

 

Creating beauty out of waste – mindful consumption:

 

“We unveil 4 new collections every year. We launch them at international trade shows and we design our pieces around the different personas which shop at ipse. Over the last few years, we have noticed a growing demand for customisation because people desire to have something unique and personalised.

For example the sustainable luxe collection came about after looking at the significant amounts of off -cut leather we had and which were not being used. So by creatively repurposing this material, we crafted beautiful furniture pieces leading to the launch of the sustainable luxe  collection.”

 

Starting 2024 with a bang:

 

“We are doing some work in one of the prestigious shows in Singapore in February. March we are launching in China.We are going to have our first opening at Chongqing. We also have few sustainability themed events lined up in Singapore and across the world for the following months.”

 

I’m personally captivated by ipse ipsa ipsum’s ongoing journey and am eager to stay informed about their latest developments.

Bringing my clients to the showroom to explore diverse materials, immerse in their unique stories, and collaboratively design a stunning piece of furniture tailored to their lifestyle is an extraordinary process. The joy it instills, coupled with the gratifying sense of contributing to environmental sustainability, is truly beautiful.

Sam, thank you for your unwavering commitment to making a positive impact and for generously addressing my multitude of questions and curiosity.

If you’re aspiring to craft something truly exceptional from sustainable materials, don’t hesitate to reach out. I am here to help you bring your vision to life.

 

Big love,

Aisha xox

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